302 Boss

$1,850.00

Artist: Ching Ching Chang

Dimensions: 35”x 35” (with frame)

Media: Watercolor, Ink, Gouache on paper

Year: 2013

From the Artist:

I have been interested in science and engineering since I was little. Every summer break from junior high school I would visit and help out at my father’s factory in Taiwan. Hanging out at my Dad’s factory is one of my fondest childhood Memories. I couldn’t stop staring at those giant mechanical devices, and trying to figure out how they worked. Every part of each machine connected to another massive machine, moving and working smoothly together, just like a human body. While studying the human form I came see it as an incredible machine. Similar to the wonder that my father’s machines made me feel as a child, the human form fascinated me. Specific parts of the human form, like the organs, brain, and the way our bodies perceive the world around us are the focus of my work.

After moving to Los Angeles ten years ago, I realized that America has a huge culture formed around the automobile, especially in Los Angeles. In Los Angeles you can find any race of people, and the same goes for cars, there are all types of makes and models of cars from all over the world. You can fix and modify a car or a motorcycle as much as you want. Most of the people living in Los Angeles can’t live without a car. Cars became part of our life; part of our identity. Your car is not only your mode of transportation, but also your status. It is a representation of you.

Type: Fine Art

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From the Artist:

My “Material Matters” series examines the challenges of organizing textile fabrics into coherent collaged works. It plays against the usual association of fabrics as being pliable and focuses on their ability to form collages out of a multitude of prints and to create their own structural formations. It is a study of color, pattern and form using a non-traditional medium (fabric and stitching) to create fine art wall reliefs. The various printed and solid fabrics are the canvases with which I collage forms in a formal process to create a composition. The stitching helps to interconnect the forms by creating texture and marks on my "canvas"--similar to a painter using brush strokes to create marks in their paintings.

Dimensions: 32"W X 20"H

Biography and Story

"Thread, fabrics and yarn are my paints. Instead of brushstrokes, I stitch. My stitching is done primarily via sewing machine – an instrument emblematic of the female role. I see strength and power in the stitch and feel its history; it is a way of leaving a print to be remembered, beckoning you to take a second look. The sewing machine is transformed into an artistic tool that I use to create contemporary art."

Sandra’s eye and tactile sense were initially developed through exposure to the fabrics printed by her parents’ company, Alexander Henry Fabrics, Inc. She maintained her involvement in her parents’ efforts while taking art classes at Pomona College, attending USC Law School and during her employment at major corporations and law firms. She has taken art classes at Otis College of Art and Design, UCLA Extension, and Brentwood Art Center.

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